{"id":227,"date":"2026-09-02T13:27:04","date_gmt":"2026-09-02T17:27:04","guid":{"rendered":"https:\/\/lilianekeeler.com\/projets\/passages-2\/"},"modified":"2026-09-02T13:27:04","modified_gmt":"2026-09-02T17:27:04","slug":"passages","status":"publish","type":"projet","link":"https:\/\/lilianekeeler.com\/en\/projects\/passages\/","title":{"rendered":"Passages"},"content":{"rendered":"\n

Passages<\/em> is\u00a0about time that transforms, about what ends and\u00a0what begins. The\u00a0cycle of\u00a0the\u00a0seasons becomes a\u00a0metaphor for\u00a0the\u00a0passages that run\u00a0through life: changes, losses, rebirths and\u00a0the\u00a0traces that time leaves within us. Rather\u00a0than depicting the\u00a0seasons literally, I\u00a0seek to\u00a0translate their sensations and\u00a0inner movements. Colour,\u00a0matter and\u00a0painterly gesture become the\u00a0means of\u00a0evoking the\u00a0ephemeral, memory and\u00a0transformation.<\/p>\n\n\n\n

These works bear witness to\u00a0a\u00a0period when my\u00a0painting was\u00a0gradually moving away from representation to\u00a0become a\u00a0more intuitive and\u00a0introspective space. They\u00a0already reveal an\u00a0interest in\u00a0fragmentation, traces and\u00a0the\u00a0transformation of\u00a0matter, concerns that would go\u00a0on\u00a0to\u00a0take new\u00a0forms in\u00a0my\u00a0mosaic, installation and\u00a0conceptual work.<\/p>\n\n\n\n

Passages<\/em> thus marks a\u00a0stage in\u00a0a\u00a0journey in\u00a0which the\u00a0work gradually becomes a\u00a0place of\u00a0reflection on\u00a0what passes through us, transforms us\u00a0and\u00a0remains within us.<\/p>\n\n\n\n

The\u00a0exhibition Passages<\/em> was\u00a0presented at\u00a0the\u00a0Mus\u00e9e Beaulne in\u00a0Coaticook, Quebec, and\u00a0at\u00a0Galerie Luz, Belgo Building, Montreal, Quebec.<\/p>\n\n\n\n

\n\n
\"Spring
Spring \u2013 1 (Printemps \u2013 1)<\/em>, 2018 \u2014 acrylic \u2014 124H \u00d7 93W cm<\/figcaption><\/figure>\n\n\n
\"Spring
Spring \u2013 2 (Printemps \u2013 2)<\/em>, 2018 \u2014 acrylic \u2014 92H \u00d7 46W cm<\/figcaption><\/figure>\n\n\n
\"Spring
Spring \u2013 3 (Printemps \u2013 3)<\/em>, 2018 \u2014 acrylic \u2014 92H \u00d7 46W cm<\/figcaption><\/figure>\n\n<\/div>\n\n\n\n
\n\n
\"Summer
Summer \u2013 1 (\u00c9t\u00e9\u00a0\u2013 1)<\/em>, 2018 \u2014 acrylic \u2014 124H \u00d7 93W cm<\/figcaption><\/figure>\n\n\n
\"Summer
Summer \u2013 2 (\u00c9t\u00e9\u00a0\u2013 2)<\/em>, 2018 \u2014 acrylic \u2014 92H \u00d7 46W cm<\/figcaption><\/figure>\n\n\n
\"Summer
Summer \u2013 3 (\u00c9t\u00e9\u00a0\u2013 3)<\/em>, 2018 \u2014 acrylic \u2014 92H \u00d7 46W cm<\/figcaption><\/figure>\n\n\n
\"Summer
Summer \u2013 4 (\u00c9t\u00e9\u00a0\u2013 4)<\/em>, 2018 \u2014 acrylic \u2014 124H \u00d7 93W cm<\/figcaption><\/figure>\n\n<\/div>\n\n\n\n
\n\n
\"Autumn
Autumn \u2013 1 (Automne \u2013 1)<\/em>, 2018 \u2014 acrylic \u2014 124H \u00d7 93W cm<\/figcaption><\/figure>\n\n\n
\"Autumn
Autumn \u2013 2 (Automne \u2013 2)<\/em>, 2018 \u2014 acrylic \u2014 92H \u00d7 46W cm<\/figcaption><\/figure>\n\n\n
\"Autumn
Autumn \u2013 3 (Automne \u2013 3)<\/em>, 2018 \u2014 acrylic \u2014 92H \u00d7 46W cm<\/figcaption><\/figure>\n\n<\/div>\n\n\n\n
\n\n
\"Winter
Winter \u2013 1 (Hiver \u2013 1)<\/em>, 2018 \u2014 acrylic \u2014 124H \u00d7 93W cm<\/figcaption><\/figure>\n\n\n
\"Winter
Winter \u2013 2 (Hiver \u2013 2)<\/em>, 2018 \u2014 acrylic \u2014 92H \u00d7 46W cm<\/figcaption><\/figure>\n\n\n
\"Winter
Winter \u2013 3 (Hiver \u2013 3)<\/em>, 2018 \u2014 acrylic \u2014 92H \u00d7 46W cm<\/figcaption><\/figure>\n\n<\/div>\n\n\n\n

Building on\u00a0Passages<\/em>, these mosaics explore time, the\u00a0cycles of\u00a0nature and\u00a0states of\u00a0transformation. The\u00a0material, fragmented and\u00a0then reassembled, becomes a\u00a0language for\u00a0evoking movement, the\u00a0ephemeral and\u00a0the\u00a0traces left by\u00a0experience. Over\u00a0the\u00a0course of\u00a0this research, nature gradually becomes the\u00a0starting point for\u00a0a\u00a0more sensitive and\u00a0inward exploration of\u00a0matter, where fragments, textures and\u00a0assemblages give form to\u00a0impressions that go\u00a0beyond representation.<\/p>\n\n\n\n

\n\n
\"Murmurs
Murmurs (Murmures)<\/em>, 2019 \u2014 resin, gold leaf, metal wire \u2014 16H \u00d7 35W \u00d7 30D cm<\/figcaption><\/figure>\n\n\n
\"Crossing
Crossing (Travers\u00e9e)<\/em>, 2019 \u2014 driftwood, smalti, porcelain \u2014 13H \u00d7 64W \u00d7 15D cm<\/figcaption><\/figure>\n\n<\/div>\n\n\n\n
\n\n
\"Autumn
Autumn \u2013 4 (Automne \u2013 4)<\/em>, 2018 \u2014 marble, glass, gold \u2014 34H \u00d7 29W cm<\/figcaption><\/figure>\n\n\n
\"After
After the\u00a0Rain (Apr\u00e8s la\u00a0pluie)<\/em>, 2016 \u2014 marble, smalti \u2014 29H \u00d7 23W cm<\/figcaption><\/figure>\n\n\n
\"Winter
Winter \u2013 4 (Hiver \u2013 4)<\/em>, 2016 \u2014 marble, smalti \u2014 29H \u00d7 22W cm<\/figcaption><\/figure>\n\n<\/div>\n\n\n\n

Photos: Robert Gosselin<\/p>\n","protected":false},"excerpt":{"rendered":"

The\u00a0cycle of\u00a0the\u00a0seasons as\u00a0a\u00a0metaphor for\u00a0the\u00a0passages that run\u00a0through life.<\/p>\n","protected":false},"featured_media":86,"template":"","meta":{"lk_annee":"2019","lk_medium":"","lk_lieu":"","lk_video":"","lk_cadrage":""},"class_list":["post-227","projet","type-projet","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/lilianekeeler.com\/en\/wp-json\/wp\/v2\/projet\/227","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lilianekeeler.com\/en\/wp-json\/wp\/v2\/projet"}],"about":[{"href":"https:\/\/lilianekeeler.com\/en\/wp-json\/wp\/v2\/types\/projet"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lilianekeeler.com\/en\/wp-json\/wp\/v2\/media\/86"}],"wp:attachment":[{"href":"https:\/\/lilianekeeler.com\/en\/wp-json\/wp\/v2\/media?parent=227"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}